Bex Marshall London, UK
UK British Blues Award winner and 4 time European Blues Awards nominee Bex Marshall’s unique style of guitar playing is a
combined technique of slide, blues rock, ragtime and roots pickin’.
Her voice is a powerful melting pot of old black woman’s heartache and rock diva soul. Bex is a writer of distinction and notability, she pushes the boundaries of blues.
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supported by 4 fans who also own “Skint”
It's acoustic and it's the Blues! Turn it up and play it LOUD ...
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Way Down Here
by Robert Connely Farr
supported by 4 fans who also own “Skint”
The first album was recorded as Mississippi Live. It was billed as a solo album, but had the sound of a full band. The recording name now has & The Dirty Dirty added. And you can tell. This now definitely sounds like a full band. There is more electric guitar and less banjo. This is more blues rock than bluesy folk. Still great, though.
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Dirty South Blues
by Robert Connely Farr
supported by 4 fans who also own “Skint”
Goddamn, Robert, you are the man! Some damn fine southern blues, unlike any I have experienced. The replay value on this son of a bitch is outstanding. I believe I'm on my 10th spin after what a week? Dark lullabies to calm the disturbed & disturb the comforted I have to say, I have never heard a version of Killing Floor Blues quite like Robert's. Only one of the many reasons I keep coming back to this 💎
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Cerebral palsy curbed his ability to play guitar the conventional way, so Nagoda learned double slide, this is his debut LP.
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Buffalo Nichols
by Buffalo Nichols
With virtuosic guitar-playing and evocative singing, Carl “Buffalo” Nichols returns Black stories to folk and blues.
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Inspired by their travels in New Orleans, Naples, and the UK, the “Italian-hills country blues” duo pen a global love letter to roots music.
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Going Down
by Robert Connely Farr
supported by 4 fans who also own “Skint”
And so The Dirty Dirty just made Mississippi Live’s sound even dirtier. This is full on southern rock. And it is very, very good southern rock.
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